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Narrated in the first person it becomes clear to the reader from the beginning of the story that Mhlophe may be exploring the theme of insecurity and confidence.
If anything the narrator feels not only insecure about how she looks but also lacks confidence. It may also be important that the narrator compares herself physically to how other girls look as this would again play on the theme of confidence or rather the lack of it.
The fact that the other girls in the school tease the narrator about her looks and boys may also be significant as she is being isolated by her peers due to how she looks and feels about boys.
Though she is insecure about her looks she appears to have the ability to think for herself. If anything Mhlophe may be highlighting how shallow the male can be.
It may also be a case that Mhlophe is exploring the theme of independence. The narrator is not reliant on the opinions of the boys in her class and she also reads books that are not on her curriculum.
This could be important as it suggests that despite the insecurity the narrator may feel due to her physical appearance when it comes to others and her academic endeavours she is quite free spirited.
Again it seems to be that the narrator is able to think for herself. To be independent of others. It is also interesting that the narrator cannot understand why the young boy wishes to be her boyfriend.
If only to spite the other girls in her class. It is also possible that as the narrator finds it difficult to like herself she also finds it difficult to understand that somebody else might like her for who she is. There is a sense that the narrator feels accepted by Father Fikeni.
That she can be herself when she is around him and his family. The fact that Father Fikeni also brings the narrator to the village meeting suggests that she is being accepted by Father Fikeni.
The praise poet also plays an important role in the story. For the narrator he is the impetus for change in her life. She is so overawed by the praise poet she decides to write her first poem when she returns to school.
This may be important as for the first time in the story the narrator is beginning to not only change but have more confidence in herself.
This confidence is more noticeable in the last two paragraphs of the story. No longer is the narrator concerned about how she looks. By running her hands over her face she knows that she is beautiful in her own way.
She is also no longer comparing herself to the other girls in her class.
The fact that Mhlophe also uses imagery of a birth occurring could also be important because if anything the narrator is being reborn. She is more confident than she has been throughout the story and is no longer concerned about others taunting her over her looks or the fact that she does not play on the sports field.
Some critics might also suggest that the hidden independence which the narrator displayed earlier in the story is actually coming to the forefront as the story ends.
With the driving factor most likely being the acceptance that the narrator felt not only with Father Fikeni but with those in the village too. For the first time in the story the narrator feels as though she does not have to compete with others, so strong is the confidence she feels within herself.
The fact that the narrator wants to read her poem to Father Fikeni may also be of some importance as it suggests that the narrator has something to look forward to. She sees hope for the first time in her life.
The cock flapping his wings and crowing at the narrator may also have some symbolic significance. It is possible that Mhlophe is using the cock to symbolise not only excitement flapping wings but also the fact that the narrator has found her voice.
No longer is she insecure and lacking confidence now that she knows and accepts who she is. Cite Post McManus, Dermot. The Sitting Bee, 29 Jun.Eric Reeves has been writing about greater Sudan for the past nineteen years. His work is here organized chronologically, and includes all electronic and other publications since the signing of the historic Machakos Protocol (July ), which guaranteed South Sudan the right to a self- determination referendum.
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